INVERT SCULPTURES

I turn things inside out. Because I want to know what they conceal. What lies beneath the shiny surface, behind the print, the promise, the purpose. I open with the scalpel. With respect, almost surgically. Then I turn the inside out. The packaging loses its function – but regains its story. What remains is a silent body. A question mark made of cardboard. A silver skin that captures light differently. An object that quietly perforates everyday life and invites observation – not only outward, but also inward. Because sometimes, when you turn the world inside out, more fits inside than you thought. Sometimes: everything.

PACKAGING 2024