In my series Touched Sculptures, I coat everyday objects with a texture made from white hand spaces. The painting acts like a negative shape – it subtracts rather than adds, creating new contours. A subtle play with perception, space, and touch emerges between painting and sculpture, between object and gesture. What remains is the echo of the human.
WUNDE WELT 2026 (Wunder und Rätsel unserer Welt)
DEALER 2026 (Die Welt der Malerei)
KUNST IST SCHEN 2026 (Die Gemäldegalerie im Kunsthistorischen Museum)
IDENT ANDERS 2025 (Accidentally Wes Anderson)
SEX 2025 (nudes index)
SCAN 2025 (Toscana)
GERHARD KUBASSA 